US Blaak is an interpretation of a Modern-Classic typeface with a beautiful and strong impressions for editorial design. The sharp serif combined with curves gives US Blaak a fabulous, glamorous and bold look and at the same time doesn't sacrify the functionality.
The design is intended for short to medium length texts as well as display use.
Galix is a technical sans designed to look futuristic without any of the retro appearance often found in this genre. It has a squarish, slightly condensed anatomy, and is characterized by thin joints and deep ink traps that add a sparkle to the otherwise monoline typeface. In the italic styles, these cuts are accentuated even more which creates a feeling of speed in the letterforms.
Galix is optimized for display typography (the ascender height is the same as the cap height, and the spacing is somewhat tight) but the middle weights are very readable at smaller sizes, where I'd recommend adding a little tracking. OpenType features include ft and tt ligatures, stylistic sets/alternates, automatic fractions, tabular, superscript and subscript figures, case sensitive forms.
Perfect for websites, apps, infographics, magazines and logotypes, Galix is technical but with a warmth and personality that is often missing from this genre.
Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.
Hiragino Serif (Mincho) is a font adapted for the digital age. It was designed to permit finely detailed tuning that allows the sizes of both kanji and kana to be adjusted for greatest visibility. It also broadly satisfies the needs of modern graphic design in advertising, posters, pamphlets, magazines, and other such uses. The font makes the counters comfortably wide while gracefully raising the text’s center of balance, ensuring that the typeset characters will be smooth and well-defined. It gives each line a modern impression thanks to a judicious balance of light and shade and draws out a vivid readability that makes it possible to comfortable push forward with one’s reading.
Latin alphabet and numbers have all been originally designed so that the weights of typeface and the flow of the baseline between Japanese and Latin characters are extremely consistent. Of particular note, vertically formatted text that mixes both Japanese and Latin characters can be beautifully rendered using only this typeface. Thanks to the use of authentic and sophisticated basic design , it creates a different atmosphere by combination of optional unique kana typefaces.
Introducing Bird & Thorn; A vivacious & expressive script font with a stylish quality. Bird & Thorn is completely hand-drawn and designed to perfectly re-create natural handwriting; this is achieved by the addition of 93 custom ligatures. These double letters connect and flow much more authentically and are guaranteed to give your text that extra quality and distinction. It’s the perfect choice for stylish branding & logo projects, product packaging, handwritten quotes & editorial design.
Bird & Thorn supports a large number of languages including; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak & Slovenian.
Introducing the Silver South Font Duo, a classy, contemporary pair of script and serif fonts. With a stylish didot-style serif font and a free-flowing, expressive script companion, Silver South offers beautiful typographic harmony for a diversity of design projects, including logos & branding, wedding designs, social media posts, advertisements & product designs.
Silver South Script • A clean, free-flowing script font containing upper & lowercase characters, numerals and a large range of punctuation.
Silver South Script Alt • This is a second version of Silver South Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.
Silver South Serif • A classy serif font containing upper & lowercase characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Silver South Script fonts.
Script Ligatures • Silver South Script also includes 38 character ligatures. These double letters allow you to recreate a more natural, hand-drawn flow to your text.
Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the latin american type scene. Inspired by the capricious and temperamental southern Chile geography and the beauty of its landscapes Sergio Leiva develops an expressionist typeface with a very humanist feeling, taking its Czechs and Venetian references a step further by creating an unpredictable mix of forms and proportions which later craft almost to domestication in order to fulfil its purpose of developing an expressionist non disruptive text typeface.
Radal looks extremely well balanced in long text settings at the time that embellish the page with a scent of calm wilderness. On display use, shines on its irregular nature plenty of unexpected forms and counter forms. The Radal family is composed by 7 styles plus matching italics and a set of over 1400 glyphs (1600 on italics) full of ligatures, alternates, swashes, ornaments, small caps, symbols and a complete arsenal of typographic resources for your delight.
Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique.
This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute. Just click on our foundry name to see it!
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Sveglia is a hand brush casual script font inspired by urban fashion. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc.
Sveglia comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.
The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!
Calima is a humanist sans serif family available in six weights.
Its design roadmap was quite simple: try to bring the dynamism and spontaneity of italics to a stable sans serif.
The result is a fresh and spirited typeface with clean lines, equally suited for short text and display uses.
The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features : oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.
Vektra takes advantage of the high-resolution afforded by the Glyphs font design program. Stripes of different density overlap to create a cross-hatched tonal effect. Best used at larger sizes and in shorter settings where the details can be seen.
Grold is a post-geometric typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Grold font family supports multiple languages and is available as both webfont and desktop font.