Isabel Willason

Winter Is Coming is a new playful font family which is inspired by hand lettering at the winter season in 1950-1960. Winter is coming contains 5 font styles that use open type features such as stylistic alternate, stylistic set, contextual alternate, ornaments and ligatures. This package also contains a bonus graphic to help you make winter design more stunning!

Winter is Coming best uses for headings, invitation, Logo type, quotes, apparel design, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc

Kiperman is a text typeface designed in honor of Henrique Leão Kiperman, founder of the publishing house Artmed, now Grupo A.
Its forms are simple and straightforward, with no unnecessary embellishments that could disturb the reading. The fonts are slightly narrower than normal, which yields higher efficiency without compromising reading comfort. Besides that, its italics are not just a slanted version of the romans, but rather a separate drawing. With a slope of 8°, its calligraphic structure provides the right amount of emphasis when necessary. The Kiperman typeface works best when setting books, magazines, ebooks and websites. It will also work very well in branding and packaging projects where a sober typeface is needed.
The inspiration for the design came from the personality of the honoree. Just as Henrique always wanted to stay away from spotlights, the Kiperman typeface was designed so that it would not call attention to itself or impose any obstacles in the understanding of the text. In this way, the fonts revere Henrique’s legacy by respecting and honoring the published content.
Henrique Leão Kiperman began his career in 1958, selling medical books in travels through the interior of the Brazilian states of Paraná and Santa Catarina. In 1973, he opened a bookstore in downtown Porto Alegre, the Artes Médicas Sul, and a few years later edited his first book. Since then, his company has grown to become one of the most important publishers in Brazil in the area of scientific, technical and professional books, with more than 2400 active titles distributed among the McGraw Hill, Bookman, Artmed, Penso and Artes Médicas imprints. Henrique passed away in 2017 at the age of 79. The Kiperman type family has been commissioned by Grupo A and is available for licensing. This was the way found for the fonts to be read by more people, spreading some of his spirit around the world.

Noah is not just another geometric sans but rather extending the limits of the x-height for a further flexibility of a typeface. This type family encompasses 72 fonts grouped into four subfamilies with different x-heights — starting from the lowest one Noah Grotesque through Noah and Noah Text to the highest one Noah Head — all they including styles from Thin to Black with matching true italics.

The geometric structure combined with normal width proportions, moderate contrast and vertical stress make this type family suitable for various typographic usages whereas the enhanced legibility of Noah Text optimizes it perfectly for long texts, and Noah Head intended for strong headlines. Sharp details, terminals with humanistic flavor and typographic alternates of letters, such as the binocular “g” or the geometric “a” successfully blend the best aspects of both geometric and grotesque typeface classics.

The underlying flawless functionality show coverage of Extended Latin and Cyrillic with span for more than 130 languages; support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators and denominators, fractions, standard and discretionary ligatures, case sensitivity etc.

The versatile characteristics of Noah type family are solution for every design challenge.
Designers: Svet Simov, Radomir Tinkov, Stan Partalev
Features:
• Over 650 glyphs in 72 styles (Thin to Black)
• Extended Latin and Cyrillic scripts for more than 130 languages;
• 4 different x-heights;
• Normal width proportions;
• Moderate contrast and vertical stress;
• Geometric characteristics and terminals with humanistic flavor;

Thanks for checking out Madina Script! A fabulously fun yet elegant script font with tons of energy, allowing you to create beautiful hand-made typography in an instant. With extra bouncy curves & loops, Madina Script is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and whatever your imagination holds.

What’s really awesome is that Madina Script comes with a complete set of lowercase alternates, which allows you to create even more authentic custom-feel text. Another great feature is the bonus ornaments font, which allows you to add some really unique and elegant finishing touches to your script text.

★ New Update • Madina Clean! Madina Script has now been updated to include 2 styles; a rough, textured brush version, and a totally clean & smooth version. This gives you the option to completely switch the style of your font at the click of a mouse, whether you're looking for a more rustic, hand-made style, or a silky smooth finish.

With designs drawn specifically for comfortable reading in everything from on-screen digital content to print in periodicals and books, Mundo Serif is ready to take on just about any project. Carl Crossgrove drew the suite of typefaces to complement his Mundo Sans family’s classic humanistic design traits – and added a subtle modern influence. Restrained stroke modulation, generous counters, commanding x-height and tall ascenders ensure that content set in Mundo Serif is both legible and easy on the eyes. While primarily designed for text copy in print and on screen, Mundo Serif becomes a powerful display type tool in the lightest and boldest weights. Headlines, navigational links and banners are naturals for this versatile collection of typefaces.

Mundo Serif is a large family. Nine weights, each with an italic companion, enable precise typographic tuning. Captions, subheads, pull quotes and long-form copy can be melded to create a welcoming page of modulated text. For best results in digital environments, skipping a weight – or even two – ensures hierarchical clarity. Crossgrove did extensive testing of Mundo Serif to ensure the best possible on-screen readability. To further guarantee optimal digital imaging of the family, he gave the design generous inter-character spacing and slightly expanded intricate characters like the lowercase a and g.

If the goal is diversified or multi-platform branding, look no further than Mundo Sans. The two designs harmonize with each other perfectly in weight, typographic color and proportion. Both designs benefit from large international character set that includes support for most Central European and many Eastern European languages. For a stronger contrast, pair Mundo Serif with virtually any sans serif grotesque design.

Crossgrove has designed a variety of typefaces ranging from the futuristic and organic Biome™ to the warm, clean lines of the Mundo Sans. His work for Monotype also often takes Crossgrove into the realm of custom fronts for branding and non-Latin scripts.

Ding extra, is an extended version of Ding where you can find layers, shadows, lines, dingbats, it is a very versatile font, it contains Cyrillic alphabet, as well as many ligatures.