HS Gold is based on some modern lines of Naskh calligraphy which supports Arabic, Persian and Latin with a Sans Serif with subtle round on stems and corners.
The typeface has been optimized for corporate identity work, editorial design and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested.
It features swash, ligatures and swash ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of two weights (regular and bold) which can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes.
Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Uzbekistan and Kazachstan, where i’ve been impressed by the impact of arabic script in Asian style Cyrillics. The Harpagan type Family consist of 5 futuristic styles.
JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...
Loew Next is the modern, honest and straightforward go-to sans serif type family aimed at a global user. Painstakingly reworked from the original design Loew to further enhance the consistency of detail between individual weights and improve its compatibility to support non-latin script languages. Details include over 800 characters with italics, alternative lowercase a, e, g and l. Seven variations of numerals, small caps with accents, Opentype features inferiors, superiors, fractions and language support covering Cyrillic, Greek, Western, South and Central Europe. For Arabic language support visit Loew Next Arabic.
JH Lina is an Arabic Naskh typeface, including four weights; it is typical for long running text, headlines, branding , news letters, magazines, signage and electronic publishings ...
The diacritic positioning is fine tuned per the publishers requirements.
There’s an appealing quirkiness about Amrys, which offers a confidently unusual alternative to more conventional designs. Its charm lies in its tapering tips, flexing stems, and unexpected notches, which combine to suggest something of the chiseller’s tool at work.
As a modulated serif, its letter shapes live between serif and sans serif, lending the design a sense of pleasing irregularity – something that’s really highlighted at larger sizes. However this is also a typeface that works for text, injecting rhythm and texture into reading.
“It’s distinctive, idiosyncratic, and weird,” says its designer, Ben Jones. He started designing Amrys while studying an MA at Reading University, creating it in response to a brief for a magazine typeface.
Amrys features an extensive and impressive character set. In addition to Latin, Amrys covers several scripts including Cyrillic, Greek, Arabic and Armenian. The family consists of 8 weights, from Light to Black, with matching italics.
Marwa is An Arabic typeface for Print And screen.
This font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Marwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.