Isabel Willason

Beautifully Delicious is a new font family that combines an elegant extended sans serif fonts and a signature script. Both fonts create a harmonious union that can enhance your designs in the best possible way.
The family is suitable for graphic design, quotes, branding, all sorts of social media ads, magazines, greeting cards, packaging etc.
The script fonts contain more than 1000 glyphs and benefit from OpenType features such as ligatures (including triple-letter ones), swashes and contextual alternates, two sets of capital letters (tall and short) and underline symbols.
Sans serif font also contain some stylistic alternates and presented in 4 weights: Thin, Regular, Bold and Black.
Hope you enjoy using it!

Neuropa is a five-weight semi-extended sans that projects a muscular corporate authority. The bowls of the rounded characters use an ‘obround’ form, and the apexes of the A and V and the uprights on the D and E are curved to suggest a sleek modernity.

Copenhagen has been in need of a typeface that unites the city’s many visual expressions.

The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 44 styles: Serif & sans serif, uprights & italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc.

The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century.
It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood.

Ballinger began life as a single-weight proprietary typeface called baasic, designed for Dublin-based design office aad. baasic was intended as a plain, hardworking grotesque: a simple tool for clear communication. We’ve developed it into a fully-featured eight-weight family with matching italics. Sources include early 20th century jobbing sanses like Morris Benton’s News Gothic and Candia, a 70s-era typewriter face Josef Müller-Brockmann designed for Olivetti, which had unusually deep junctures that added energy to letters like m and n.

The family takes its name from Raymond A. Ballinger, the great mid-century American designer, author of ‘Lettering Art in Modern Use,’ and champion of elegance and readability. Ballinger has large counters and a generous x-height. Letters like a, e, and s open out gradually as they move from Thin to Black to maintain ample apertures, even in the darkest weights. Semi-oldstyle figures are available, as well as case-sensitive punctuation and delimiters. Italics incorporate subtle ogee curves to lend warmth and energy to the page or screen.